In Tokyo, Mixologizing with the Seasons

Gen Yamamoto, ready for business.

One of the best parts of a highlight-filled trip to Tokyo recently was dropping in on Bar Gen Yamamoto. Gen joined David Bouley's New York City team in late 2010 and the following April helped open Brushstroke, Bouley's French-tinged play on kaiseki cuisine. There, he specialized in fruit- and vegetable-based cocktails that were remarkable for their elegance and subtlety. I was a fan in New York, and curious to see what new concoctions the gifted mixologist had up his freshly-pressed sleeve in Tokyo.

He's set up his welcoming eight-seat bar in Azabu-Juban, a neighborhood where remnants of old Japan collide with  embassies, cafes and an international mix of residents. To the delight of his followers, he's also extended his range with a cocktail list that serves as a guide to the agrarian bounty of his native country.

We tried a four-course tasting menu (¥4,200, six-course is ¥5,800) which started with a refreshing mix of cucumber from Ibaraki, Kumamoto cantaloupe, Okinawa hiba-chi pepper, and Kawabe rice shochu. The latter is from a region in Kumamoto Prefecture known for its pristine waters.

 Fruit opener: cucumber, cantaloupe, hiba-chi pepper, rice shochu.

Full of beans: Ehime fava, kinome, junmai ginjo Raifuku.

Excited about the range of produce he has access to from all over Japan, Gen raves about the softness the tomato water he extracts from Ishiyama tomatoes that are now in season. He pays close attention to the condition of each tomato, and depending on variables such as when in the season they are picked and when in the tasting service he places it, he may use one of seven different tomato cocktail recipes. "The main thing is that I'm always looking for improvement and trying to surprise my guests," he says. The one we sampled included both fresh tomato, a housemade confiture of tomato, shiso and Rives Spanish gin. 

Not your mom's bloody Mary: Tomato cocktail

Another of Gen's finds is raw Kumano dogwood honey. The trees' flowers produce enough honey for bees to collect only every four years, resulting in a denseness of flavor that he likes combined with Ehime new summer orange (the flavor of which is somewhere between yuzu, grapefruit and lemon), mint and Torikai rice shochu.

The "dessert" course: summer orange, Kumano honey, mint, rice shochu 

Gen himself brings to mind a latter-day Jeeves, an unflappable master of his trade who never seems to break a sweat. While he is tall and lean, however, his creations are uniquely round and soft. They don't deliver the blunt alcoholic KO that many drinkers seek, but creep up on you in stockinged feet; their impact can therefore come as a surprise at the end of the evening. 

The room Gen has created is remarkable as well, anchored by an beautiful, broad bar fashioned from a 500-year-old Japanese oak (mizunara) tree. Beige walls and minimal adornment complete the setting, making Bar Gen Yamamoto a soothing refuge where you can relax and converse with your fellow guests and host while sampling his quietly astonishing cocktails.

Bar Gen Yamamoto
1-6-4 Azabu-Juban
Minato-ku Tokyo 
03-6434-0652
website: www.genyamamoto.jp

   

Brustroke Kaiseki, Chef's Pass at Bouley

Two nights ago, I had the chance to visit Brushstroke, the very Japanese Tribeca kaiseki restaurant from chef David Bouley, in collaboration with the Tsuji Cooking Academy in Osaka, Japan. The joint effort goes back 18 years, when Bouley first met Tsuji presidentYoshiki Tsuji, whose father founded the school and authored the seminal Japanese cookbook Japanese Cooking: A Simple Art. In order to bring the spirit of Japanese cuisine to New York, professors from the academy, kitchen equipment, ingredients and ideas have wended their way from Japan to Tribeca, making Brushstroke possibly the most authentic Japanese dining experience you can have in New York City at the moment.

Bouley says the collaboration is an extension of the way he’s always thought about cooking. The Japanese like him, he noted, because he’s a farmer at heart and he’s been doing seasonally driven kaiseki-style dinners since 1985, when he served 12- and 15-course small plate dinners on  custom-made Limoges china.

The Brushstroke space (formerly Danube), designed by the Japanese firm Super Potato and its lead designer Takashi Sugimoto, is a honeyed, mellow space, one wall of which is composed of the page-ends of 2,500 books stacked in criss-cross patterns and tinted to mimic the natural striations of wood. Chef Isao Yamada and mixologist Gen Yamamoto are creating exciting dishes and drinks that feel cutting edge modern but with the fanatic attention to detail and technique of the best Japanese restaurants. Among the dishes we sampled: “stinky” and creamy fermented tofu; truffled chawan-mushi (savory egg custard) with sea urchin; lobster claw tempura with two kinds of salt, curry and green tea, and a selection of pristinely fresh sushi. 

The clean, clear flavors extend to Brushstroke's cocktail menu as well, where heirloom tomatoes, grapefruit, ginger and green peas have all found their way into Yamamoto’s inspired cocktails. My grape tomato concoction was a beautiful shade of pink-red, subtle and delicious.

Chef's Pass, photo by Nicole Bartelme

Back at Bouley, I got a peek at a room called the “Chef’s Pass.” In the process of expanding his kitchen space, the chef created a wondrous, salon-like room decorated with the kinds of gorgeous antique, artisanal and one-of-a-kind finds that he seems to amass in his sleep (he and chef Jody Williams are alike that way). The novelty is the 65-inch flat screen TV, where private dining groups can partake of their dinner while conversing, via Skype, with the purveyors who supply Bouley: master saké brewers in Japan, vintners and cheese makers in France and farmers in the Catskills or the Berkshires. Tours cheese maker Rodolphe Le Meunier, Meilleur Ouvrier de France (the highest honor awarded artisans in France), is such a good sport he’ll get up at 4 a.m. to chat with Bouley diners and explain his methods.

Chef's Pass allows Bouley to educate his patrons while feeding them in style, to introduce the hard-working farmers and craftspeople who make his kind of restaurant possible. Yet the chef takes a jaundiced view of the current “farm-to-table” movement, saying, “it’s what farmers have been doing for ten generations where I grew up in New England." While this "reinvention" of age old practices is nothing new, "it's a good thing," he adds, because it brings home the message that "people should not underestimate the value of the farmer."